November 22 2008
  Home
 
 
   
The K-Man Band Is Back! Print E-mail

This year marks their return to the stage after 13 years

“The excitement of our fans – we feed off them,” says K-Man Band front man Tony Richards. The band’s last major project was the album Live Sweat and on it, many a fan may be heard. “Everyone’s a star on that album!” Live Sweat was recorded at New Milford’s former Hayloft in 1989, now the infamous Cookhouse Restaurant on Route 7. This year marks their return to the stage and the fans are out in droves.

The evolution of the K-man Band took place over more than three decades. The group was known as New York Chalk from 1975 to 1978 and as Brother Jump from 1980 to 1983. “We were some serious road dogs,” Richards says. “We did huge tours. Then we all woke up and said, ‘Let’s take a little break.’  Everyone was starting to figure out what our responsibilities were. We were no longer just wild and crazy musicians on the road.

“We were on break for 13 years,” Richards goes on. “But we called each other every other week. And through the whole thing I was still writing songs.”

Although the band never officially broke-up, following that serious time off in the 90s, members of the band spent time focusing on other priorities like marriage and family. Today the group has reunited and they are tighter, stronger, and better than ever.  It was about five years ago when the band had planned their first comeback, however due to a “comedy of errors” Richards says it couldn’t happen at that time. “We kept moving back the date. But about a year ago we all got to the point that we said, ‘It looks like all the kids are gone, in college …so we met face-to-face. Everybody looked great – and we started rehearsing.”

Formerly a horn, funk, rock band, K-man is now more rock-based. Back in the day, Richards says they were “chaotic – a shove-it-down-your-throat” kind of sound. “Today we have more solidity, (more) power,” he says. “We are much more spiritually based. We’ve grown – recognized more of the value in life.”

Getting back out there means kicking it in the clubs and coming up on August 15, K-man will be playing the Marbledale Pub in Washington, Conn. “We’re starting off in this area,” Richards says. “That’s what we know we can do.” Fans can hardly wait.
“The band is great, danceable, high-energy,” says Aura Showah, owner of the Pub.

“Tony is like the Pied Piper of music,” she goes on. “He works so hard at his craft. He is constantly writing, tweaking everything, practicing. He’s a great showman. And he transcends – young people need to hear him.”  The crowds are growing and expanding across the generations according to Richards. “We have no qualms about getting to the younger people. Good music is good music,” he says. “There is a lot of life to us – we put on a great show.”
Read more...


On the Road With Scott Urgola Print E-mail



As could be said for most of us, hearing the Beatles for the first time begins a journey into music that never ends. “I decided,” said Scott Urgola “at 13, that I needed an electric guitar,” as he was transfixed to the TV during the airing of the Beatles Anthology in 1996. He progressed through that phase in high school and college but this Somers born singer/songwriter’s arrival at a musical destination didn’t start until an introduction to an American legend much further removed from the telegenic electricity of the Beatles.

Scott Urgola
Scott Urgola [photo: www.shenorockuoa.com]
Five years ago, he saw a Jacob Burns advertisement for the Woody Guthrie biographical film, “Bound for Glory,” and came away feeling that something was telling him, he says, “go check this out.” His instinct to view the film turned out to be correct.

“I really fell in love,” says the 25-year-old musician, who will be appearing at Molten Java on June 27. Afterwards, he jumped into all things Guthrie. Meaning not only that he began playing Woody’s songs and does Hootenanny every year on Guthrie’s Birthday in Somers, but after spending a summer archiving at the Woody Guthrie Center three years ago, he took to the road in the folk singers famous foot steps.

He traveled through 26 states and made acquaintance with Woody Guthrie’s hometown of Okemah, Oklahoma. The hospitality he was showered with made him feel as though he was returning home in the shoes of Mr. Guthrie. “It was something like out of a film,” he says, “as it just made sense where Guthrie came from,” but Mr. Urgola found that Woody’s quest to find America did not die with him.

His journey intersected with a Guthrie contemporary still on the same American road. “I got to meet and play with Pete Seeger,” he said, and turned the whole experience into his first CD.

The Title cut, “Restoration Lullaby”, emerged out of the freedom he felt, as all sense of time seemed to disappear into the vastness of the land and the richness of the people. “It’s one of those
places where people
are talking lightly or
just listening, which
is the best...”

-Scott Urgola on Molten Java
Returning home after a summer, he was compelled to pay his respects to Woody off the coast of Coney Island, where the singer’s ashes were scattered. There the main stanza came to him.

I’d like to go to Coney Island, shave my head, collect my thoughts Sit on by the water out near Woody and the rocks.

Vocally, Mr. Urgola sounds similar to another Guthrie protégé — Bob Dylan. Making no excuses, “I’m trying not,” he says, “to not be anything, and I try not to be anything.”

Whether it makes sense or not, he explains that the history of music means transforming what has been into something somewhat different and something sort of the same. “The process is almost a form of stealing but anybody who does it says it’s a compliment,” he says.

Complimenting him and his harmony is singing partner and girlfriend Rachel Sukret. Their musical collaboration began as classmates at Adelphi University and continues in a pretty casual but fruitful manner. A song may come to him during the day, he’ll then vocalize it over the phone to her and the result might be on display that very evening at a gig. “She can show up and just pull up the harmony,” he says.

Tied to those tunes, Mr. Urgola is not afraid to attach a folk singer’s social conscious to his sound, but he avoids being preachy or pretentious. “I try not to impose how I feel,” he says, and encourages audiences to enjoy the music even if they don’t agree with the politics.

For the gigs he usually plays, the politics flow mostly from the minds of others. Covering the Neil Young’s and Bob Dylan’s of the world is what is in demand. “I have no problem with that,” he says, because the chance to play steady is what matters.

Of course, he looks forward to a venue like Molten Java. It gives him free reign to play originals but provides an attention span that can’t be found in a bar.

“It’s one of those places where people are talking lightly or just listening, which is the best,” he concludes.


For more info. go to: scotturgola.com.



<< Start < Previous 1 2 3 Next > End >>

Results 1 - 6 of 16

Advertisement

Advertisement
Advertisement